{"id":12187,"date":"2021-01-07T19:45:27","date_gmt":"2021-01-07T17:45:27","guid":{"rendered":"http:\/\/www.dialogycabddh.es\/de\/celia-en-la-revolucion-cartografia-digital-de-madrid-1936-1939-en-la-novela-de-elena-fortun-idea-original-dir-seleccion-de-fragmentos-documentacion-y-redaccion-de-los-textos-informativos-por-m\/"},"modified":"2025-03-17T14:54:44","modified_gmt":"2025-03-17T12:54:44","slug":"celia-en-la-revolucion-cartografia-digital-de-madrid-1936-1939-en-la-novela-de-elena-fortun-idea-original-dir-seleccion-de-fragmentos-documentacion-y-redaccion-de-los-textos-informativos-por-m","status":"publish","type":"post","link":"https:\/\/www.dialogycabddh.es\/de\/celia-en-la-revolucion-cartografia-digital-de-madrid-1936-1939-en-la-novela-de-elena-fortun-idea-original-dir-seleccion-de-fragmentos-documentacion-y-redaccion-de-los-textos-informativos-por-m\/","title":{"rendered":"&#8222;Celia en la revoluci\u00f3n. Cartograf\u00eda digital de Madrid (1936-1939) en la novela de Elena Fort\u00fan&#8220;. Idea original, dir., selecci\u00f3n de fragmentos, documentaci\u00f3n y redacci\u00f3n de los textos informativos por Mar\u00eda Jes\u00fas Fraga; ilustraciones de Juan Millares"},"content":{"rendered":"<div style='padding-bottom:10px;' class='av-special-heading av-special-heading-h2  blockquote modern-quote modern-centered  '><h2 class='av-special-heading-tag'  itemprop=\"headline\"  ><span class='special_amp'>&#8222;<\/span>Celia en la revoluci\u00f3n. Cartograf\u00eda digital de Madrid (1936-1939) en la novela de Elena Fort\u00fan<span class='special_amp'>&#8220;<\/span>. Idea original, dir., selecci\u00f3n de fragmentos, documentaci\u00f3n y redacci\u00f3n de los textos informativos por Mar\u00eda Jes\u00fas Fraga; ilustraciones de Juan Millares<\/h2><div class='special-heading-border'><div class='special-heading-inner-border' ><\/div><\/div><\/div>\n<div style=' margin-top:30px; margin-bottom:30px;'  class='hr hr-custom hr-center hr-icon-yes  '><span class='hr-inner   inner-border-av-border-thin' style=' width:50px;' ><span class='hr-inner-style'><\/span><\/span><span class='av-seperator-icon' style='color:#b02b2c;' aria-hidden='true' data-av_icon='\ue809' data-av_iconfont='icomoon-dialogyca'><\/span><span class='hr-inner   inner-border-av-border-thin' style=' width:50px;' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class='avia-image-container  av-styling-    avia-align-center '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><a href=' http:\/\/www.madrid.org\/celia-revolucion\/' class='avia_image'   target=\"_blank\" ><img class='avia_image ' src='https:\/\/www.dialogycabddh.es\/wp-content\/uploads\/Cartograf\u00eda-digital-Fort\u00fan-300x202.jpg' alt='' title='Cartograf\u00eda digital Fort\u00fan'  itemprop=\"contentURL\"  \/><\/a><\/div><\/div>\n<section class=\"av_textblock_section\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock '   itemprop=\"text\" ><p>Elena Fort\u00fan (1886-1952), creadora de las novelas de Celia y tambi\u00e9n importante autora de di\u00e1logos, termin\u00f3 2020 con una buena noticia. Su relato <em>Celia en la revoluci\u00f3n<\/em>, que qued\u00f3 manuscrito en 1943 y solo se public\u00f3 en 1987 (editorial Aguilar), agotado muy r\u00e1pidamente, narra las vivencias de una Celia adolescente en un Madrid en guerra. El texto se reedit\u00f3 en 2016 en la editorial Renacimiento. Ahora, gracias a la iniciativa de Mar\u00eda Jes\u00fas Fraga y a las ilustraciones de Juan Millares, puede disfrutarse, en forma de original\u00edsima \u201cCartograf\u00eda digital\u201d, una selecci\u00f3n de fragmentos representativos, espl\u00e9ndidamente declamados, con documentaci\u00f3n a\u00f1adida (fotos de \u00e9poca y enlaces multimedia) sobre la novela y sobre el contexto hist\u00f3rico.<\/p>\n<p>Enlace: <a href=\"http:\/\/www.madrid.org\/celia-revolucion\/\">http:\/\/www.madrid.org\/celia-revolucion\/<\/a><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":12,"featured_media":12222,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_stopmodifiedupdate":false,"_modified_date":""},"categories":[32],"tags":[],"_links":{"self":[{"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/posts\/12187"}],"collection":[{"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/comments?post=12187"}],"version-history":[{"count":4,"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/posts\/12187\/revisions"}],"predecessor-version":[{"id":12236,"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/posts\/12187\/revisions\/12236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/media\/12222"}],"wp:attachment":[{"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/media?parent=12187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/categories?post=12187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dialogycabddh.es\/de\/wp-json\/wp\/v2\/tags?post=12187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}